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• Title: The Cabin in the Woods
• Year: 2011
• Duration: 1h 35m
• Rating: 7
• Genres: Comedy, Horror

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Summary The Cabin in the Woods 2011

Five friends go for a break at a remote cabin, where they get more than they bargained for, discovering the truth behind the cabin in the woods.

Five teenagers head off for a weekend at a secluded cabin in the woods. They arrive to find they are quite isolated with no means of communicating with the outside world. When the cellar door flings itself open, they of course go down to investigate. They find an odd assortment of relics and curios, but when one of the women, Dana, reads from a book, she awakens a family of deadly zombie killers. However, there's far more going on than meets the eye.

In an industrial facility, two technicians are preparing for their day on an unknown operation. Meanwhile, five friends are preparing for their trip to a remote cabin owned by Kurt's cousin. On the way, they stop for gas and have an encounter with the strange local who owns the gas station. While drinking and relaxing at the cabin, they discover a basement filled with interesting artifacts.

Synopsis The Cabin in the Woods 2011

The movie opens with a pair of middle-aged men walking through some kind of facility discussing mundane details about marriage and potential children, while a younger woman in a lab coat is trying to inform them about an incident at the Stockholm facility. The two men are not particularly concerned about what she is telling them. They mention that the facility in Japan will get the job done, and that their U.S. facility usually comes in second place. As they board a golf cart and drive off, the younger of the two men invites the older one to come over to his house for the upcoming weekend.

The scene shifts to a room in a college town where Dana (Kristen Connolly) and Jules (Anna Hutchison) are talking about school. Apparently, Dana had an affair with one of her professors and it ended badly. Jules's boyfriend Curt (Chris Hemsworth) walks in and throws a football at the girls. It flies out the window and Curt's friend Holden (Jesse Williams), a fix-up for Dana, catches it down below. The guys are there to pick up the girls for a long weekend at a lakeside cabin that Curt's cousin owns. Dana finishes packing and they all go downstairs to pack up the RV. They are about to leave when their friend Marty pulls up in his car smoking pot from a huge bong that converts into a travel mug.

We cut back to video screens in the previously seen facility where the two middle-aged men, Sitterson (Richard Jenkins) and Hadley (Bradley Whitford), are watching all of this happen. Apparently, they have been drugging the kids through various means (hair dye for Jules, Marty's stash, etc.) but they don't say why.

The group is close to the cabin when they stop for gas and directions. The attendant, Mordecai (Tim DeZarn), is old, unfriendly, and more than a little bit crazy. He tells them that they will have no problem getting to the cabin, it's the getting back they should be worried about. The kids laugh at him, he becomes sarcastic and aggressive, and there's almost a fight when he refers to Jules as a whore. Instead, everyone gets back into the RV and they drive away. They have to go through a u-shaped tunnel in the mountain to get to the cabin. As they pass through it, a bird tries to fly across the ravine and hits an invisible shield. It electrocutes the bird and it falls, presumably, to its death.

Meanwhile, back at the facility, the phone rings and Hadley answers. It's Mordecai. He reports that the college kids are on their way to the cabin and tells them how the reveler almost messed it up for them and they should be careful. Then he gets mad because Hadley has put him on speakerphone; he hangs up while Hadley and Sitterson laugh.

They arrive at the cabin and unpack. It's obvious that they are still being watched by cameras set up by the facility people. Holden is in his bedroom putting on his bathing suit when he notices an awful painting on the wall. He takes it down and underneath it there's a window into the next room where Dana is staying. She starts to take off her clothes, unaware that the mirror in her room is revealing everything to Holden in the next room. Holden runs into Dana's room and tells her what's going on and they switch rooms. Now Dana can see Holden and she definitely likes what she sees.

All the people at the facility have gathered to place bets on what fate the people in the cabin will choose. Hadley really wants it to be the merman. A new agent called Truman (Brian White) is shocked by the way he sees the others behaving. A more seasoned agent, Lin (Amy Acker), tells him that she understands how he feels, but he shouldn't judge the others for their seemingly flippant behavior. Truman, however, continues to question Hadley and Sitterson about the proceedings; Truman thinks it's unfair, although they all seem to understand that what is going on is of the utmost importance.

At the cabin, everyone goes into the living room and starts drinking. Marty continues to smoke the pot he brought. They're all getting pretty tanked and start to play Truth or Dare. Jules is dared to make out with a wolf head mounted on the wall. Then it's Dana's turn. She has just chosen dare when the door to the basement flies open, startling them all. They dare her to go down into the basement. She does and the rest of them follow. There is a ton of really strange stuff down there. Dana picks up a diary. Curt chooses a puzzle ball and tries to open it. Jules likes a wedding dress and starts to put on the necklace that goes with it. Marty is looking at a conch shell and Holden is mesmerized by a child's jewelry box that opens to reveal a dancing ballerina when, all of a sudden...

...the people at the facility are quiet and on the edge of their seats...

...Dana says "Hey guys! Listen to this." Everyone else puts down what they were looking at and walks over to her. The diary belonged to a young girl who was brutally beaten by her father. There is something about how they will all return once someone reads some Latin words at the end of the diary. Marty says they shouldn't read it. He hears a voice tell Dana to read it. No one else seems to hear it. Against the advice of Marty, Dana reads the Latin and somewhere outside, the family from the diary returns from their graves all zombie-fied.

At the facility, it turns out that maintenance and the new intern have won the pool with their selection of Redneck Zombies. Hadley is really bummed he won't get to see a merman.

At the cabin, the kids go back to the living room. Jules and Curt are acting out of character. Jules is dancing very suggestively in front of the fire, Curt is being aggressive and insulting about his girlfriend. Marty notices this but his concerns are brushed off by the others. Curt and Jules decide to go for a walk. Thanks to some pheromone fog, they start to have sex in the woods but they are stopped by the zombies. Jules is stabbed in the hand but Curt saves her. He is stabbed in the shoulder but survives. Jules is recaptured and beheaded while Curt watches. He gets away and runs back to the cabin.

As Jules dies, Hadley and Sitterson recite what seems to be a prayer. Hadley pulls a lever and blood runs into a grooved stone tablet that contains the outline of a female figure: the whore. The ground starts to shake.

Marty hears a voice in his head and goes outside to see Curt running towards him, fighting off a zombie. They both run inside and lock the door. Curt tells everyone that Jules is dead. They decide to barricade the house and stick together. Courtesy of the facility, a voice tells them to split up but only Marty consciously hears it. He begs the others not to split up but no one listens and Dana, Holden and Marty each go into their own rooms. The doors promptly lock behind them.

No one at the facility can figure out why their tricks aren't working on Marty. He's not following the plan and he can hear the voices. They're worried he's going to ruin everything. In Marty's room, he gets startled and breaks a lamp. He picks it up and finds a camera. This is proving everything he's been saying about this place. He's about to investigate further when a zombie comes through the window and pulls him outside. They struggle. Marty is stabbed in the back and dragged out of sight. Bad noises follow. Poor Marty.

People at the facility are relieved that Marty won't be ruining their plan. However, they're still investigating to see why their drugs didn't work on him. They determine that when they were lacing his pot with their drugs, they missed one of his stashes and what he was smoking was making him immune to their tricks. Blood runs into the outline of the reveler. The ground shakes.

A zombie tries to break through Dana's window. Hearing this in the next room, Holden breaks the glass between their rooms and pulls her into his. They find a door in the floor that leads to another room in the basement. It appears that this is the room where the father beat and tortured the girl from the diary. They try to find a way out but the door won't open. Just then, one of the zombies finds them and stabs Holden in the back. Dana stabs the zombie repeatedly just as Curt opens the door from the other side.

The three of them get in the RV. The door closes and a bloody hand print is seen on the outside of it.

As they head toward the tunnel, Hadley realizes that the demolition crew never set off the explosion that causes the tunnel to cave in and block their exit. As the trio frantically tries to get away, Hadley and Sitterson are just as frantically trying to correct this oversight.

The RV makes it halfway through the tunnel when it starts to cave in. They reverse back the way they came and make it out just in time. Curt has a dirt bike in the back of the RV and he decides to jump the ravine and go get help. Like the bird, he hits the invisible barrier and dies. (Blood runs into the outline of the jock.)

Dana and Holden see what happened to Curt and realize that Marty was right all along. They head back towards the cabin trying to figure a way out. Holden is stabbed through the head (blood fills the outline of the scholar) and the RV crashes into the lake. Turns out there was a zombie in the RV. Dana fights off the zombie, gets out through the overhead hatch, and swims to the surface. She makes it onto the pier when the zombie comes up from the water and starts beating the crap out of her.

Back at the facility, they are celebrating a successful night. Evidently, the "virgin" doesn't have to die for the plan to be successful. This is extremely important since all of the other sites (Japan, Germany, etc.) have failed to complete the ritual. They open a bottle of champagne and start drinking. The red phone rings. Hadley answers. A tense conversation follows. Apparently, the rules weren't followed. One of the others is still alive. If Dana dies first, they will lose.

Dana is still getting the crap kicked out of her by the zombie dad. Marty comes out of nowhere and beats the zombie with his giant bong until he falls into the water. He grabs Dana and they run into the woods. The zombies are after them. He jumps into one of the graves the zombies came out of and starts digging. Dana can't figure out what's going on. Suddenly, Marty opens a door and they fall into a room right before the zombies grab them.

Marty tells Dana that this was all set up. He's discovered an access panel and started playing with the wires inside; this is why the tunnel never exploded when it was supposed to. Marty shows Dana an elevator and deduces that someone sent the zombies to attack them. She's not sure about getting in the elevator, but they don't have any other options. Through the glass window of their elevator, Dana and Marty can see many other elevators that contain supernatural creatures connected to the strange items in the basement of the cabin. The Sugar Plum Fairy, the Puzzle Ball, the doll faces, the killer bride, etc.. Dana recognizes the connection and deduces that the group "chose" the means of their own deaths, meaning the zombies.

Meanwhile, the observers are in an uproar because Dana and Marty have penetrated their facility. They make plans to kill Marty in order to preserve the intended order of sacrificial deaths. Pinpointing the elevator number, an armed guard is sent to them and instructed to kill both of them, Marty first, but he fails when a zombie corpse in the elevator distracts him. Dana and Marty kill him and move out into the hallway. A female voice speaks to them over a PA system, sympathizing with them for their predicament, but insisting that Dana and Marty must die. More armed guards show up and start firing on them, and they run into what looks like a control room and hide. Dana realizes that there is a control panel that monitors access to the elevators containing the monsters. As they are being attacked by soldiers with machine guns and other artillery, they randomly start to push buttons; Dana finds a large one that says "PURGE SYSTEM," and suddenly alarms start going off all over the facility. The guards all pause in terror, then all of the elevators open while monster after monster emerges. The soldiers are massacred and the monsters get into all areas of the facility, slaughtering the workers. Marty and Dana are cornered by monsters, but they climb through a hole where one of the walls was smashed in during the carnage.

In the facility's control room, Hadley, Lin, and Truman are killed by monsters. Hadley finally gets to see his merman right before it kills him. Sitterson manages to activate an escape hatch and emerges into a stone hallway, but he is fatally stabbed by Dana; this is where Dana and Marty have ended up as well. Before Sitterson dies, he tells Dana, "Kill him." Dana is afraid to go on, but Marty gives her a gun he took from a dead guard.

Marty and Dana end up in the room with all the character outlines. Dana realizes that there are five stone tablets, one for each of them--Dana, Marty, Holden, Curt, and Jules. Everything that's happened to them has been part of a ritual sacrifice. The Director (Sigourney Weaver) appears; they recognize her voice as the one that spoke to them over the PA system. She explains about the facility and their purpose. She says the ritual is older than anything known to man; even she and her peers aren't sure of everything, but the ritual is conducted worldwide in order to appease "the Dark Gods" who once ruled the Earth. She says the monsters they've seen are nothing compared to them, and both Dana and Marty realize they are standing over a pit that leads to where the old Gods are sleeping.

The Director explains that the ritual is meant to keep them dormant, and must follow specific rules. There are five sacrificial victims. The whore (Jules) dies first, and after that, four more archetypes: the scholar, the athlete, the fool (a.k.a the reveler), and the virgin. The order of their deaths doesn't matter as long as the whore is first to die and the virgin is the last one alive. The Director says it is up to the Gods whether the virgin (Dana) lives.

If the sacrifice is not completed, the old Gods will come to the surface and destroy mankind. The Director says Marty must die to save the world. Marty says that if a bloodthirsty ritual is required to save mankind, then maybe mankind isn't worth saving. Marty is hurt when Dana raises the gun to kill him; she is conflicted, but she doesn't want the world to end. Without warning, Dana is attacked by a werewolf, which proceeds to viciously maul her. When she drops the gun, Marty picks it up and fires on the werewolf, and it runs off, wounded. The Director tries to kill Marty, but the zombie girl from the diary appears and kills the Director instead. Marty kicks them both into the pit with the Gods. Dana and Marty make up and smoke a joint while they contemplate the end of the world. The ground shakes and starts to crack open.

The cabin in the woods starts shaking. A giant hand comes crashing up through it and slams down on the ground in front of it as the first of the old Gods reaches the surface.

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• Title: Megan Is Missing
• Year: 2011
• Duration: 1h 25m
• Rating: 4.6
• Genres: Drama, Thriller, Horror

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Summary Megan Is Missing 2011

Two teenage girls encounter an Internet child predator.

Megan Stewart, 14, and her best friend Amy Herman, 13, though opposites in personality, are best friends. Megan carries the front of being the most popular girl in school, but this masks a lifestyle of hard partying, drugs, alcohol and indiscriminate sex. Amy, unpopular and socially awkward, clings to her relationship with Megan as a lifeline to social acceptance. Together, these two young girls forge a deep friendship based on their mutual needs. The two girls regularly communicate by web chat cameras or cell phone, and even meet boys online. As Megan seeks friends who are different from her usual posse of hanger-ons, she is introduced by a friend online to a 17 year-old boy named Josh in a chat room. Megan and Josh bond quickly, leaving Amy feeling a bit left out. One day, Megan goes to meet Josh in person, and she is never seen again. Amy launches into a concentrated effort to find her friend. As the media swirls around the story of Megan's disappearance, Amy discovers the horrifying truth about what happened to her friend. Based on research into seven actual cases of child abduction, MEGAN IS MISSING is an uncompromising, gut-wrenching view of the world children live in today. Harrowing in its realism, the film uses only fact-based incidences to depict the lives of ordinary kids walking in the midst of extraordinary evil.

Synopsis Megan Is Missing 2011

Megan is Missing begins with a simple video caption on black screen declaring that the movie is based on actual events from actual missing-children cases. (It should be noted, however, that the movie itself and all scenes there in, are fictitious and performed by the actors.)

Switch to Megan Stewart (Rachel Quinn) and Amy Herman (Amber Perkins) together in Amy's bedroom, doing an ad-lib performance together for Amy's new video camera. Megan and Amy are the best of friends, almost like sisters. The screen freezes and a caption appears saying that Megan disappeared without a trace on January 14, 2007, and that Amy followed suit three weeks later. A second caption claims that the film was assembled using cell phone logs, computer files, home videos and public news reports.



A title screen appears, and then a caption giving the date as January 2, 2007.

Amy and Megan are together in a coffee shop frequented by members of their high school. As Megan's laptop captures video footage, Megan and Amy commiserate about having to return to school the day after New Year's, though it quickly switches to Amy's virginity, something she is sensitive about. The scene shows that Megan is a social butterfly and popular in her class, while Amy is a quiet, semi-timid and decidedly unpopular girl with virtually no friends outside of Megan.



Caption: January 4, 2007:

Megan is in her bedroom, and a caption lists her name, her birthdate (August 12, 1992) and her age during the time of the video recording (14 years old). Megan is at her laptop in her room having a video conference with her friend Angie (Carolina Sabate), discussing a supply of drugs Angie had just gotten from another student named Tercel. Both Megan and Angie have bought drugs from this Tercel, paying for them with sexual favors. Angie mentions that she and her boyfriend, Gideon (Trigve Hagen), who is with her at the moment, are attending a party later that evening.

The conversation is interrupted by Megan's mother, Joyce Stewart (April Stewart), who is outraged that her TV program didn't record because Megan unplugged the VCR to use her game box and forgot the plug it back in when she was finished. Joyce is shown to be a loud, shrewish woman who treats Megan badly and makes the girl feel unloved, even screaming that Megan should go live with her father and get out of Joyce's life. So incensed is Joyce at missing her TV show that she takes a hammer and smashes Megan's game box while Angie and Gideon laugh in disbelief at Joyce's outrageous antics.

Megan gets another video call and switches to it. Amy is inviting her to hang out together at the local mall, or any other places Megan might prefer. Unfortunately, Megan has to stay home tonight and help her mother with some things.

Switching back to Angie and Gideon, Megan is reluctantly enticed to come over to their house and "play with them" in return for a small packet of the drugs.



Caption: January 5, 2007:

Amy is getting ready for school. A caption lists her name, her date of birth (January 10, 1993), and her date at the time of the recording (13 years old).

Amy's parents, Bill and Louise Herman (John K. Frazier, Tammy Klein) comes into her room to talk about the planned party they're intending to throw for Amy's 14th birthday, only a week away. Bill was looking to host it at a particular place that Amy liked, but she says she's starting to feel too old for it. The scene quickly reveals that Amy's parents are very loving and dote on her, in direct contrast to Megan's parents, who are divorced and provide her with none of the parental love and support she still very much needs. After they leave, Amy looks at her face in her mirror again and sighs. Bill had called her 'Princess' in a loving way, but Amy feels that to the rest of the kids in the neighborhood, she's more like 'Princess Pudgy.'

Later that day, Megan receives a cell phonecall from an acquaintance named Ben (Rudy Galvan) while hanging out at the coffee shop with her friends Lexie (Jael Elizabeth Steinmeyer) and Kathy (Kara Wang). Ben is hosting a party that weekend and is calling to invite the three along. Both alcohol and drugs will be freely available. Lexie, Kathy and Ben are all stunned when Megan insists on bringing Amy with her to the party; Lexie and Kathy going so far as to politely excuse themselves. Ben is furious at the idea of Amy attending the party, but Megan doesn't back down. The scene shows that Megan is sufficiently 'in demand' in the student party scene that she has the influence to open doors that would otherwise be closed to Amy.

By now, the friendship between Megan and Amy is also shown to be one that fulfills both of their strongest needs: Megan gives Amy access to peer social events that she would otherwise be shut out of, while Amy gives Megan a confidante that soothes and comforts her in light of the horrible way she's treated by her mother.



Caption: January 6, 2007:

Ben's party. Outside of Ben and Gideon, the party is almost all girls. Each has to pay $10 for entry or else provide a sexual favor

The teens dance to glaringly loud rock music, drink, smoke pot and do cocaine. Amy listens to the music and holds a beer bottle in her hands but drinks sparingly and doesn't dance, feeling awkward about it. Some of the girls get tipsy enough to dance close together, and Ben spends time making his moves on whoever will receive them. Megan in particular doesn't care for Ben's advances. Kathy, on the other hand, enjoys feeling 'wasted.' Even Amy starts to get tipsy from drinking, but pushes Gideon away when he starts to grope her while one of Ben's friends films it. Gideon slaps Amy hard across her face for her trouble. Humiliated and crying, Amy goes looking for Megan, only to find her on her knees in front of Ben, performing fellatio on him. Megan is severely embarrassed at being seen by Amy.

Near the end of the party, Amy slumps against a stairway banister, not feeling well after drinking most of the night. At the foot of the stairs, Lexie is coaxed into snorting a little coke and slowly french-kissing another girl while Ben films it. Amy suddenly throws up on the two girls, much to Lexie's total outrage and disgust, but to the delight of the other boys who hoot up about Amy being drunk.

Late that night, Megan and Amy comfort each other via video conference. Megan admits that she doesn't particularly care for most of the other students, despite her popularity among them, and Amy is her only real friend. She amuses Amy with a story of how she did fellatio at age ten on a 17-year-old camp counselor; a conversation that's rudely interrupted by Joyce, who demands that Megan turn her computer off and go to sleep. Megan, embarrassed, tells Amy she desperately wants to get away from her mother and they talk briefly about running away together to Texas before ending the call to go to sleep.



Caption: January 10, 2007; Amy's 14th birthday:

The first scene in the movie, Amy and Megan doing an ad-lib for Amy's new video camera (shown to be a birthday present). More of the scene is shown as they ad-lib a mock interview of their respective life stories. Megan goes first, and her bubbly demeanor suddenly turns quiet and sad as she talks about her family. Her voice is sarcastic as she 'claims' her mother loves her, and she doesn't know where her father lives or what he does for a living... and her stepfather, Paul, is in prison for raping Amy repeatedly over a two-year period starting when she was nine. Megan says that Joyce was so frightened of losing Paul that she blames Megan for his going to prison and this is likely one reason for Joyce's abominable treatment of her. Megan finishes by saying that boys like her and she provides them any favors they want, but insists that they pretend to love her-- even though she knows it's fake and in her opinion, pathetic. Amy hugs Megan comfortingly, and Megan is seen to take real solace in it.



Caption: January 13, 2007:

Megan and Lexie are video chatting. Lexie tells Megan about a young man named Josh that she's met online. Josh is a skateboarder and attends Tolland high school, and he took notice of Lexie's internet profile because she listed skateboarding as an interest, even though she doesn't know how to ride a skateboard (guys dig it when girls are into skateboarding, Lexie tells Megan). Lexie tells Megan that Josh's online handle is 'skaterdude.' Megan does a search on the handle and a photo of Josh is shown, with a caption saying that Megan downloaded the photo and it was later found on her computer. Lexie mentions that Josh's little brother accidentally broke his laptop's webcam, and tells Megan that Josh met George Clooney at a mall and talked to him once. She innocently suggests that Megan instant-message Josh some time, and Megan says that maybe she will later.

Amy is shown making a video diary entry. She points her video camera all around her room, showing her stuffed animals, and says that her favorite teddy bear is named Billy, but she doesn'st have him anymore. She points the cam at a picture of Amy and Megan together. She takes her camera all around her house, describing some of it in the diary entry, saying she lives in Sherman Oaks, a suburb of Los Angeles. She 'introduces' her mother (who slyly suggests that Amy SHOULD be doing her homework while Louise is making dinner) and the family cat (who Amy says is older than her in real years, which makes him over 100 in 'cat years') on the diary entry, and says that her father works long hours and isn't at home as much as he'd like, but always makes sure to come home for important events.

Megan makes contact with Josh (Dean Waite) online. He tells her a little about his skateboarding and that the teachers at his school 'suck.' Megan says they also suck at her school, which she names as Alton; Josh recognizes the name and says that he doesn't live far away. He tells her he practices boarding at a ravine behind a diner that Amy knows about and goes to often. Amy is briefly disturbed when Josh asks her to tilt her webcam down a little (she knows exactly why he's asking), but Josh apologizes and backs down, whereupon Megan obliges him, and he compliments her on her blouse. Megan mentions Josh's broken cam, and he says his dog chomped on it-- Lexie had told Megan that Josh's little brother broke it. Josh quickly says that both his brother and his dog did their share in breaking the cam. He is attending the party that Lexie had invited Megan to, and asks Megan if she's coming-- since Megan has seen his photo maybe they can hook up. Megan is unsure if she wants to go. There is some sardonic banter between the two of them before they finally sign off. After the call is ended, Megan suddenly rushes to her dresser and grabs a strappy black top and a denim skirt.

That evening Megan is walking to Tracy's house for the party and calls Amy on her laptop. She tells Amy that she decided at the very last minute to go the party after talking to a boy she met online.

Amy makes another video diary entry. She's looking through a teen magazine to find a nice prom dress in case a boy asks her to his when she's a senior in high school. Then she figures no boy is ever going to ask her to a prom and drops the F-bomb at her video camera before ending the diary entry.



Caption: January 14, 2007:

Amy calls Megan at 8 AM to see how the meeting with Josh went at the party. Megan says that Josh was a no-show; she waited four hours for him. She tells Amy Josh's name and calls him a jerk. Amy invites Megan to go to a movie with her after she's feeling more awake, and they end the call.

Josh contacts Megan online. Megan confronts Josh at his no-show at the party, but Josh insists he was there, and he proves it by accurately describing Megan's outfit, including the butterfly clip she wore in her hair. When Megan asks why he didn't come up to her, he gets embarrassed and says he kind of 'wimped out' when he saw how popular she was with the other teenagers. Megan finds this flattering and forgives Josh. She tells him that she's going to see a new Matt Damon movie with her best friend and drops a hint that Josh can come along. He gets a little shy but then bites at the offered bone and offers to get her some ice cream after the movie (he's a little shy about meeting Megan's friend).

Megan steps out of the house and calls Amy on her cell phone, and tells her why Josh didn't come up to her at the party. She finds him very sensitive and likes that about him. She tells him he's going to web her around 7:30 and offers to let Amy come with her.

Josh makes web contact with Megan after the movie, and Megan introduces Amy to Josh. The three talk briefly and Josh sends another picture of himself showing that he surfs as well as skateboards-- he says the current time of year is perfect for surfing because of water currents from Mexico (showing he knows a lot about the sport). Amy heads home and Megan and Josh agree to meet behind the diner. After they end the call, Megan quickly grabs up her purse, and the camera continues to show her empty room for half a minute after she walks out.



Caption: January 15, 2007:

Megan wasn't present at school, and Amy hasn't been able to reach her to find out how the date with Josh went. She becomes worried enough that she contacts Kathy and Lexie, both of whom are cold and curt in their reception of her, telling her only that they haven't talked to Megan either before quickly hanging up on Amy.

Amy webs Josh online to find out about Megan, and he gets a little concerned as he tells her that he was hoping to ask her the same thing; they were supposed to get together last night, but Megan never showed. He promises to web her if he hears from her.



Caption: January 17, 2007:

News anchor Callie Daniels (Lauren Leah Mitchell) reports on Megan's disappearance. The news broadcast is perfectly put together to grab at the heartstrings, including a portrayal of Megan's mother as frightened for Megan's welfare and praying for her safe return, and a reporter asking Kathy and Lexie about Megan, who they say simply didn't show for school all of a sudden. The news report goes into elaborate detail about Megan's life in her community and school, complete with the school principal, and Kathy and Lexie, giving all the magic words about Megan: popular, beautiful, role model, honor student, active in the community, everyone loves her. After finishing up the section on Megan, Callie Daniels gives a very short, brief summary about another missing child: a 13-year-old boy named Tercel Jackson, before going to commercial.



Caption: January 18, 2007:

Amy makes a late-night video diary entry where she talks about her worry over Megan, and that she doesn't believe that Megan ran away, as the news reporters speculate was possible. She says she can feel in her heart that Megan is still alive, and Amy is sleeping with her cell phone next to her pillow in the belief that Megan will call her at any time.



Caption: January 19, 2007:

News reporter Yvette Bartosik (the name of her character as well as the actress' real name) is reporting with a 'stunning update' on Megan's disappearance: Security camera footage from the diner reveals footage of Megan being seized. The footage shows Megan walking behind the diner when a man came up to her, grabbed her wrist and led her away. The footage is too grainy to show Josh's face or whether Megan resisted or tried to call for help.

The security camera footage is shown three times in slow-motion, with captions saying it is being shown first in original size, then enlarged 200%, and finally 500%. It is still impossible to tell if Megan was frightened at the moment she was grabbed, or what Josh looks like; although it can be seen that his hair is shorter, darker, and styled differently than in the picture that Lexie had sent Megan.



Caption: January 20, 2007:

Amy and Josh are talking online. Amy seems uncomfortable with Josh calling her 'cute girl,' even though he tries to assure her that he finds her attractive. She asks him plainly if he was the person in the security camera footage, and he says (amused) that that was 'some old dude.' Reading Amy's worry, Josh asks about Amy's friendship with Megan and learns how close they really are. Josh suddenly turns callous when he says he's surprised that Amy is the kind of girl that Megan would hang with; when she accepted his calling her attractive, he says, it meant she was stupid. Amy confronts Josh on her belief that he knows where Megan is, but he denies it. Josh's tone reveals his true colors as he rails on about how everyone perceives Amy; including, he claims, Megan. She again demands to know what he did with her, and he says, 'nothing she didn't do with 100 guys before.'



Caption: January 29, 2007:

A news report gives breaking new details in Megan's disappearance: Amy has gone to the police and told how Megan met a man named Josh online. The news report gives Josh's name, as well as his online handle of skaterdude. Amy is shown leaving the local station surrounded by her parents and police officers who fiercely protect her from the onslaught of media questions.



Caption: January 31, 2007:

Amy is making a video diary entry showing some of the places that she and Megan freuqnted together. As she passes the diner, Lexie and Kathy see her and walk up to confront her. Lexie becomes particularly emotional as she lambastes Amy over Megan's disappearance. Unable to deal with her guilt over having introduced Megan to Josh-- now the prime suspect in her disappearance-- Lexie becomes hysterical and starts to scream at Amy that she loved Megan as well and tries to pin Megan's disappearance on Amy.

Amy's video diary continues. She walks past a bridge that she and Megan often visited.She sets her laptop on the ground under the bridge and squats down in front of it, reminiscing about the adventures she and Megan shared. She turns to a niche in one of the bridge's supports and pulls out her favorite teddy bear, Billy, saying that she hid him here after Louise wanted Amy to get rid of Billy because he was growing old and ragged.

As she holds the teddy bear, a silhouette is seen appearing several yards behind Amy, on the other side of some foliage. The silhouette stays put and appears to eavesdrop as Amy talks about the whole experience making her not want to grow up and that she'd just rather stay there under the bridge holding Billy.



Caption: February 1, 2007:

Amy is on the internet when Josh makes contact to confront her on going to the police. He warns her that free internet screen names can easily be set up and discarded anywhere, at any time, meaning the police can't find him. He demands that Amy shut her mouth about him, threatening that he might have to 'visit' either her or her mother if she doesn't leave him be. Amy stares into her webcam, frightened, for half a minute before shutting her webcam off.



Caption: February 2, 2007:

A news report gives a detailed live-action re-enactment of the security camera footage showing Megan's abduction. The re-enactment has been filmed at the exact spot of her abduction and features commentary from the director and the actors playing Megan and Josh, speaking about the importance of spreading awareness on child safety. The actor playing Josh speaks about how hard it is playing the role of such a despicable internet child predator. The actress playing Megan talks about how the internet isn't as safe as people think, even when you're in your own home. The actual re-enactment footage ends with the Megan actress starting to scream for help as the Josh actor forces her into a white SUV and drives off with her.



A video caption says that on March 4, 2007, two photographs of a young girl later identified as Megan, were found posted on a fetish website's forums. The website owner contacted the FBI because of the graphic, disturbing nature of the photos showing what was clearly an underage girl. A second caption says that the photos have never been released to the public before.

The photos show a wooden table; the table's top is a pillory with openings to trap a person's neck and wrists. Megan is locked inside the device; her eyes wide and wild, her hair matted and disheveled. Built into the table-top pillory near the neck opening are metal hook braces that hold Megan's mouth wide open. A rubber band is slung over her head, ending in another metal hook that is lodged in her hostrils, pulling the base of her nose opward. Megan's fingers, hands, and knees are bloody, showing she's been tortured and abused, both physically and sexually.



Caption: February 4, 2007:

Amy makes another video diary entry under the bridge. She talks about how volunteers for the search for Megan are dwindling and people are losing hope she is still alive. Amy admits she isn't sure herself, anymore, if Megan is still alive. Needing solace, she turns to the niche to reach for Billy-- and a man's hand is seen reaching into the video camera view to seize her.

News anchor Callie Daniels gives an update on Megan's disapparance, reporting that Amy has vanished after having gone to the police with information on Josh. Police are concerned on the double disappearance but continue to look into 'all possibilities,' including that the two girls might have run away together.



Caption: February 6, 2007:

News reporter Yvette Bartosik reports on a pink ribbon campaign organized in the neighborhood where Megan and Amy live, in the hopes of the two girls being returned safely home. Even Lexie and Kathy are taking part in the campaign, although they carefully mention only that they'd like to see Megan return home safely. Amy's parents are shown thanking the volunteers for their search and praying for Amy's return.



A caption says that the following scene is a short piece of news footage not previously broadcast: Search workers are looking in trees just off a road. A worker tells the chief he's found something. The chief notices the reporter and sends another worker to make the reporter leave the scene.

Another caption says that on March 12, 2007, Amy's video camera was found in a trash bin in the Angeles National Forest. Photographs show the inside of the trash bin and then a zoom-in photo shows the camera visible among some trash, and finally a police detective holding the camera, placed in a plastic evidence bag, as he talks with search workers.

Another caption announces footage of a man believed to be 'Josh' as found on the camera. It shows the silhouette coming into view well behind Amy in her video diary entry from January 31. The view zooms in on the silhouette but cannot reveal any positive details about 'Josh.'



A caption says that the following scenes are the final 22 minutes of footage found on Amy's video camera after it was discovered; the footage is unedited and unaltered.

Amy is shown as 'Josh's' captive, stripped to her bra and panties, chained at the neck to a wall in a small, filthy cell that looks disturbingly like it was built for that very purpose. It is very dark, showing it to be underground or a sub-basement. The camera pans past a closed polypropylene-plastic barrel as 'Josh' goes to check on Amy. The terrified girl tearfully begs and pleads for mercy, for 'Josh' to let her go. He coldly tells her that Megan is here, but Amy can only see her when he says so. He tells her that Josh isn't his real name, and he douses her with a bucketful of dirty water.

More graphic scenes are shown of Amy as 'Josh's' captive. She is savagely and unmercifully tortured, raped and sodomized, passing out from the pain of it, and forced to completely debase and humiliate herself by kneeling on the floor and putting her hands behind her back, eating the food he's placed in front of her as a dog would-- she complies when 'Josh' dangles her teddy bear, Billy, in front of her. He gives it to her finally, and she huddles against the corner of her cell, cuddling the bear and crying.

Finally 'Josh' takes her out of her cell, talking sweetly to her about whether she'd like to go home. He tells her that he needs to put her in the barrel so she can't see where he lives. But when 'Josh' opens the barrel, Amy is horrified to find that it contains Megan's body. She screams in horror as 'Josh' forcefully stuffs her into the barrel and re-seals it.



A heartbreaking twelve-minute finale ensues revealing Amy's appalling fate: 'Josh' has taken her out into the woods and digs a hole to bury her alive. 'Josh' wordlessly digs as an increasingly desperate Amy professes to love him with all her heart and will submit herself completely to him if he lets her live. But finally the hole is completely dug and 'Josh' tips the barrel, rolling it to the bottom of the hole. Amy's soft and tearful pleas give way to hysterical shrieks for someone, anyone, to come and help her. 'Josh' says nothing as he buries her alive in the makeshift grave, finally picking up the flashlight and walking toward the break in the treeline, leaving Amy to die.

Megan and Amy are shown together on side-by-side missing-child posters. Megan's poster says that anyone having or wanting information should to to the website 'findmegan.com' (which leads to the website for the movie).

The end credits ensue among a video diary entry where Megan and Amy wistfully talk about what their future will be like when they grow up. At the end of the entry, Amy asks Megan if she thinks Amy will meet a man when they're grown up. Megan assures Amy that she will one day... and that they'll both "just know" when the right guy comes along.

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• Title: The Skin I Live In
• Year: 2011
• Duration: unknown
• Rating: 7.6
• Genres: Drama, Thriller, Horror

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Summary The Skin I Live In 2011

A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.

In honor of his late wife who died in a flaming car accident, scientist, Dr. Robert Ledgard, is trying to synthesize the perfect skin which can withstand burns, cuts or any other kind of damage. As he gets closer to perfecting this skin on his flawless patient, the scientific community starts growing skeptical and his past is revealed that shows how his patient is closely linked to tragic events he would like to forget.

Synopsis The Skin I Live In 2011

The camera pans along the town of Toledo in Spain, and across the gated entrance to the clinic/estate known as El Cigarral. In one room, a young dark haired woman, Vera Cruz (Elena Anaya), does yoga stretched over a sofa. Vera wears only a flesh colored bodystocking that covers her whole body completely, except for her head. It covers her hands and fingers, and her feet and toes. She's then seen meditating while she sits in a lotus position on the floor. She works with ceramic sculptures, applying strips of a material that seems to match that of her bodystocking, to one of them.

El Cigarral's chief maid, Marilia (Marisa Paredes), asks an assistant maid to help her with a dumbwaiter. Marilia carries a tray with food and drink, a book, and some cloth. With the assistant's help, Marilia opens the dumbwaiter and puts everything she's carrying inside it, before sending it up to Vera's room. Retrieving the items, Vera uses an intercom in her room to request some sackcloth and double-sided tape. Marilia tells her that she won't be able to get these for Vera until tomorrow. Vera then requests some thread, and a needle and pair of scissors, but Marilia's response shows she's not supposed to provide these for Vera at all. Vera then goes to her closet, where a number of garments hang; all are badly torn. She takes out a green print dress and puts it on over her bodystocking, and tears a strip off of it.

The scene switches to a lecture hall where a surgeon named Robert Ledgard (Antonio Banderas) is giving a lecture on rebuilding facial muscles and features in burn victims. He's personally participated in several face-transplant surgeries, and rebuilding scarred and burned faces seems to be his primary passion.

That evening, Ledgard drives into the garage for a maternity hospital. A man walks up to his car and hands him a large case, for which Ledgard pays him. Ledgard is then seen driving up to El Cigarral; he is the owner of the estate, and lives there as well as running its clinic. Taking the bag he was given at the hospital, which we see contains a pouch of blood, Ledgard brings it to his lab and examines a sample, before putting the rest of the pouch in a container of dry ice.

Ledgard goes into his room and turns on a large-screen television, which is hooked up to a camera in Vera's room. Vera lays in her bed, seemingly asleep, though she's not covered with her blanket. He takes a tin containing opium and a bong and goes to her room, which is adjacent to his. Ledgard unlocks the door for her room, showing she's confined inside it. There he sees that Vera has cut her wrists and breasts in a suicide attempt. Quickly he brings her to an operating room in the estate and patches her up. As he tends to the cuts above Vera's breasts, the ungrateful woman tells him that she'll only try again unless he finishes her off himself. Ledgard doesn't take her seriously, saying she'd have cut her throat if she was serious about killing herself. He does seem preoccupied with Vera's skin; with the bodystocking removed, he notes that her skin is softer than he thought it would be.

The next morning, Marilia brings Ledgard some animal blood, drained from it while it was still alive. Ledgard brings it to his lab. We see that Ledgard is conducting research in the development of a synthetic compound that looks, and even feels remarkably like human skin. On a gurney in the lab is a mannequin of a female body. Ledgard brings a sample of the skin compound over to the gurney and carefully applies some of the compound onto the mannequin. Using this as a guide, we then see he's applied some of the compound onto Vera's body. The synthetic skin apparently is tougher than real skin and can resist burns. He carefully runs a device that emits a short discharge of low-temperature flame over her leg, and she feels no pain until he passes it over another part of her leg. He also holds a jar with the opening against her skin; the jar contains a mosquito. The mosquito does not land on Vera at any time; it doesn't try to bite her.

Ledgard is giving a presentation at a biomedicinal symposium, discussing this synthetic skin compound, which he has named GAL, after his late wife, who burned to death in a car crash. This synthetic skin not only resists burns, but masks human odors from biting insects such as mosquitoes, so that they won't bite; this can prevent the diseases they carry, including malaria. Ledgard tells the symposium members that he's conducted experiments with this compound on athymic (hairless) mice, and the results have surpassed his expectations, leading him to believe that it's ready for human testing.

During a break, the symposium chairman asks Ledgard about his research. He's suspicious, because Ledgard has stated that the synthetic skin compound is stronger and tougher than real human skin, and this can only be accomplished by mutating it. Ledgard admits that he's done transgenesis on the compound; transferring genetic information from pig skin cells into human cells. He justifies this by pointing out similar experiments that are done on meat, fruits, vegetables, and clothing material every day; despite the moral implications, he believes that paradoxically, it's the next step in improving human life, as it could cure many diseases and stop many known genetic deformities. Nonetheless, this is a line that the chairman refuses to cross... or let Ledgard cross. He warns Ledgard that unless he discontinues this research, he'll report him to the medical community. Ledgard tells the chairman not to worry; GAL was a personal venture he did in memory of his late wife, nothing more.

Arriving home, Ledgard goes to his room and looks in on Vera, who lays on her bed, reading. As he watches her, zooming in the camera, her eyes suddenly drift toward it, as if she knew he was watching her at just that moment.

Ledgard brings the opium tin to Vera. As he fills the bong, she asks if there's any further improvements he wishes to make. Ledgard says there's no further work required. He's done all he can, with and for, Vera, and she can now boast of having the best skin in the world. But when Vera asks what will become of her now, he gets evasive and defensive. When he gets up to leave, Vera hurries to the door and blocks him, and starts coming on to him. She knows that Ledgard likes her, and although the camera in her room is hidden, she knows about it, and knows where it is. Because of the time he spends watching her, she's starting to feel that they practically live together. Ledgard gets very flustered, hurrying out of the room. When he gets back to his room, he sees, on his monitor, Vera giving an amorous look straight into the camera-- at him.

The next day, as Ledgard eats breakfast, a television news program talks about a carnival underway. Marilia tells him that he made a mistake using Gal's face as a model, and she'd have warned him about it if she knew beforehand. Now, Vera looks too much like her, which puts Ledgard in a quandary; Marilia believes that Ledgard has to either kill Vera or keep her captive on the estate indefinitely... and if he doesn't kill her, she'll attempt suicide again. Moreover, Marilia is as certain as Vera is, that Ledgard is falling for Vera. Ledgard tells Marilia to dismiss all the assistants and servants from employ.

As three of these servants are seen leaving the estate, a man in carnival getup approaches and rings the intercom at the front gate. He tells Marilia he's here to see his mother, who he hasn't seen in ten years. He knows that she wasn't among the servants that just left. Marilia orders the man to leave, but in response he he turns around and moons the camera... showing a birth mark on his posterior that Marilia recognizes. The man is her own son, Zeca (Roberto Alamo). She lets him onto the estate, although she says he can only stay a few minutes.

But it quickly becomes clear that Zeca is looking for more than just a few minutes to catch up with his mother. Zeca is also acquainted with Ledgard, having seen a presentation he gave in Madrid, and tracked him back to El Cigarral. Worse, he's taken part in a jewelry store robbery where he killed one of the employees, and is seeking shelter from the police on the estate. He also wants Ledgard to perform plastic surgery on his face, now that it's plastered all over every wanted poster in Spain. Marilia tells Zeca that Ledgard would kill him as soon as look at him. She wants Zeca sent on his way, but he continues acting as if he has the full run of the estate.

As Zeca grabs a bottle of wine, he sees one of the kitchen monitors for Vera's room, and sees Vera doing yoga. As he watches, Vera looks up, and peers into the camera, sensing she's being watched. Zeca mistakes Vera for Gal, who he's shown to have known before her death. Marilia pulls a gun on Zeca and orders him to leave the estate. But she can't pull the trigger, and Zeca grabs the gun away.

Zeca ties Marilia to a chair and jams a rag into her mouth. As he searches the mansion for Vera's room, she can hear the noise he makes, and it makes her increasingly nervous. Zeca finds the door to Vera's room locked, and comes back downstairs, making Marilia tell him where the key is. He takes the key and goes back to Vera's room. As he opens the door, Vera kicks it back in his face and tries to run, but he grabs her ankle and drags her back to him. As he wrestles her down, she wants to know who he is, and it's shown at this point that Zeca is responsible for Gal's death; he caused the fiery car crash that killed her. Still thinking that Vera is Gal, he wants to rape her. He starts tearing open her bodystocking and roughly feeling her up. When Zeca says he wants to make Ledgard do the plastic surgery on his face, Vera sees this as an opportunity of escape. She offers to volunteer as a kidnap victim that Zeca can use as leverage against Ledgard, and she'll submit to sex with Zeca if he lets her go afterward. As Zeca takes Vera, on her bed, he doesn't understand why she's acting like she's in pain-- Gal never did, and Zeca still doesn't know that Vera isn't Gal.

Ledgard arrives home, much earlier than Marilia, and therefore Zeca, expected. Ledgard sees Marilia tied up and then looks at Zeca having sex with Vera, through the monitor. Ledgard takes Marilia's gun and goes upstairs. Vera sees Ledgard over Zeca's shoulder and stares vacantly; both Vera and Marilia hoping that Ledgard will kill Vera as well as Zeca. But at the last second, Ledgard re-aims the gun, and kills Zeca without harming Vera.

Ledgard brings the opium tin to Vera so she can calm down. As she smokes the bong, Marilia cleans up. She confides something in Vera, something that neither Ledgard nor Zeca ever knew: they're half-brothers. Marilia is Ledgard's mother as well as Zeca's. Ledgard's father was the owner of the estate beforehand, and he fathered Robert during an affair with Marilia, because Mrs. Ledgard was sterile; but after Robert was born, the Ledgards passed him off as the son of both Mr. and Mrs. Ledgard, although Marilia was the one who raised him. One of the household servants latered fathered Zeca through Marilia. Marilia blames herself for both Ledgard and Zeca being insane, saying she carries a gene for it, and both her children became afflicted.

Zeca grew up on the streets, ran drugs as a child, and Marilia didn't see him until twelve years ago, when he showed up looking for shelter. Marilia hid him in a shed, but Gal found him and developed a crush on him. Gal agreed to run away with Zeca, but their car crashed and began burning.

Here, it's revealed that Gal didn't die in the crash itself, even though Zeca ran from the burning wreck and left Gal there to die. Ledgard found his wife, horribly burned and scarred. He saved her life and cared for her day and night on the estate. It was during this time that he began doing the research that led to the synthetic skin compound. Ledgard removed all mirrors from the house and made sure Gal slept during the day and was only awake at night. Miraculously, Gal began to improve and recover, and one day she could walk without help. But this led to tragedy, as one morning Gal was awakened by the sound of her and Ledgard's daughter, Norma, singing a song that Gal taught her. Gal got up and crossed to the window... and saw her reflection in it after pushing aside the curtains and opening the blinds. Unable to bear the sight of her reflection, Gal hurled herself through the window to her death, right in front of Norma. So traumatized by the experience was the young girl, that she eventually committed suicide as well, in the same manner.

Ledgard arrives home, and Vera gives him a look of deep compassion. They're making love in Ledgard's bed when Vera finds her vagina is too sore to finish. Ledgard agrees to wait until tomorrow night, and they fall asleep in each other's arms.

As they sleep, the scene shifts to show Ledgard's dreams: a wedding that took place six years prior. Ledgard helped hook up a friend of his, Casilda Efraiz (Teresa Manresa) with her husband, and he's now attending her wedding. Also attending is Norma, grown to young adulthood (Blanca Suárez). Norma is out of a psychiatric hospital and doing well on therapy and medication, socializing with Casilda's nieces. As she and her new friends sip beverages, they smile at some handsome young men nearby.

As everyone dances to a band and singer, Ledgard happens to notice a few of Casilda's nieces chatting with young men. Norma isn't among them. He goes looking for her, and among the trees outside, he hears the moaning of several young women having sex with other young male guests. Carefully looking from the cover of trees, he still doesn't see Norma. As he continues looking, he sees one young man riding out of the estate on a motorcycle. Retracing the path that the motorcycle came from, he finds Norma's shoes and sweater discarded on the ground. Not far from there, he finds Norma laying on the ground under a tree, unconscious. He hurries to her side, but as she awakens, she only screams hysterically at the sight of her father.

We see Ledgard back in the present, shifting in bed and awakening from the bad memory of his dreams. He glances over one shoulder to see Vera sound asleep beside him. As he turns over and puts an arm around Vera, we see a close-up of her face and then her own dreams.

A young man, Vicente (Jan Cornet), who Norma had smiled at during the wedding, is working in a dress shop owned by his mother. He picks up one dress and offers it to his mother's assistant, Cristina (Bárbara Lennie) as a gift. Vicente has a crush on Cristina, but she doesn't return his affections because she's a lesbian and dating another woman. She tells Vicente, if he likes the dress so much, he should wear it himself.

Vicente's mother tells him to leave Cristina alone, and he says he needs to get going, anyway; his friend Jorge is bringing him to Casilda's wedding. Although Vicente wasn't invited himself, Jorge knows one of Casilda's nieces and told Vicente he could get him in. Vicente needs to get changed and they'll just be attending the after-wedding dance party. As a man comes into the shop to sell off his wife's clothes (she runs off every so often, leaving he and their son), Vicente gets on his motorcycle and rides off.

Ledgard and Vera are shown again, still asleep, as Vera's dreams continue.

At the wedding, Vicente attracts the notice of Norma. She smiles at him, and he smiles back. Several of Casilda's nieces walk out into the gardens with Jorge and some of his friends. Vicente and Norma also accompany them, but quickly lag behind. The young men and women are drinking, smoking pot, and it's easy to see what's on all their minds.

Vicente and Norma both seem a little shy with one another, but hold hands as they walk off into the trees on their own. Vicente asks Norma if she's taken any 'high' pills, like he, his friends, and a number of Casilda's nieces have all been doing. Norma, misunderstanding, recites a list of psychotropic medications she's on.

As they continue walking through the gardens, Norma trips on one of her high heels, and getting exasperated with them, she kicks them off, and then pulls off her sweater. She chuckles unsteadily; Vicente thinking she's high like all the others, as he doesn't know about the psychosis she's suffered and is still recovering from. When Norma innocently mentions that clothes make her claustrophobic and she would be naked if it were her choice, Vicente, again misunderstanding, offers to help her undress. He starts kissing and fondling her as he starts sliding down the shoulder straps for her dress; laying her down gently against a tree.

But as he pulls his pants down and enters her, Norma starts to panic. Starting to become aware of what Vicente is doing, she rebels and starts pushing him away. Vicente covers her mouth with his hand so the main wedding reception doesn't overhear her cries. Norma catches part of his hand in her teeth and bites down on it hard. Suddenly furious, Vicente smacks her face, knocking her unconscious. Vicente gets scared and carefully straightens Norma's clothing out, putting her slip and the straps of her dress back up over her shoulders, covering her breasts, and sliding her panties back up and pulling the hem of her dress down again. He then hurries out of the estate, not noticing that Ledgard has observed him leaving and has noted the license plate number for his motorcycle.

A week later, Vicente has stopped taking the uppers and is sober again. Although his mother and Cristina know he finds the town boring, Cristina is surprised when Vicente suddenly announces he wants to travel for a while. For now, though, he just wants to get some air and ride around a bit, and he'll be home for supper that evening. He never makes it: a van starts following him, and off the bend of a lonely stretch of road, the van forces Vicente off the road, and the masked driver shoots him with a tranquilizer dart. He loads Vicente and his motorcycle into the van and drives off.

Vicente awakens, chained to a wall in a stone shed. His kidnapper has left him a large pail of drinking water, and he drinks thirstily.

Vicente's mother sees a police captain, who tells her that Vicente's motorcycle was found at the bottom of the Finistere Cliffs, completely destroyed; his body presumed swept out to sea. His officers questioned all of his friends and Cristina as well, and all of them mentioned that Vicente was tired of the town and wanted to leave. If he WAS alive, he would be very far away. Vicente's mother refuses to accept this, insisting that Vicente would have notified her if he wasn't coming home for supper like he said he would, and that he must have been kidnapped.

Ledgard goes to see Norma, who has again been hospitalized at a neuropsychiatric institute. The assault has sent her into complete retrogress back into her psychosis. She's terrified at the sight of any male, including Ledgard himself. Any male who is near her makes her see Vicente again, and she becomes hysterical. Even though Ledgard is careful not to touch her, Norma only whimpers and cries as she crawls into a closet. The nurses cannot put any fitted clothing other than a standard hospital gown onto her, because she tears them off.

Vicente remains locked in the shed, awakening one morning to find the water pail has been refilled while he slept. But he's half-starved and going crazy from the solitary confinement.

Vicente's kidnapper finally comes into the shed: it's Ledgard. He washes Vicente down with a garden hose and throws him a towel. He unhooks the chains from the ring they're fastened to, onto another ring that's closer to the table so that Vicente can sit. The next day, Ledgard brings him food and a warm robe. He still hasn't told Vicente why he's holding him prisoner.

Norma has committed suicide, jumping out the hospital window. At her funeral, Ledgard blames the hospital and the chief psychiatrist. Despite his sorrow, he wants to work. He can't sleep and needs to occupy his mind.

Ledgard shaves Vicente's face as the young man tries to appeal to him as the father of a young girl. Some of Norma's childhood toys are in the shed, so Vicente speaks about how his own mother must be sick with worry. Ledgard says only that he buried his daughter earlier that day, before saying he's putting some aftershave on Vicente's face. This is a lie; the aftershave is really chloroform which Ledgard uses to knock Vicente out.

Ledgard brings Vicente into the operating room on El Cigarral, strips him naked and fastens him securely to the operating table. A number of members of Ledgard's medical team arrive. They all done masks, gloves and scrubs, preparing to help him operate. When Vicente awakens, the team has departed, and Ledgard tells Vicente the cruel truth about the operation: a vaginoplasty. Ledgard removed Vicente's penis and has given him a woman's vagina.

Ledgard confines Vicente in a private room in the clinic and brings something to him. He tells Vicente that the labia of his new genitalia are still tender and could start to stick together. Ledgard has brought him a number of dildos of varying width. Starting with the narrowest, he needs to place them into the vagina until the largest dildo can fit without pain or discomfort, at which point the tissues will be healed.

Ledgard is examining Vicente after he's been using the largest dildo for four weeks, and he tells Vicente that the vagina looks healed. Vicente thinks maybe now Ledgard will let him go home... but Ledgard says he hasn't finished work; he's only just begun.

Ledgard won't say what more remains to be done, but he finally explains the reason behind it; why he's done all this, including kidnapping Vicente in the first place. Revenge. Ledgard knows that Vicente raped Norma, resulting in her psychotic regression and recent suicide... and he's exacting a terrible revenge.

As time passes, Vicente's physical transformation is complete. He has real breasts, and his skin has been enhanced with Ledgard's synthetic "GAL" skin compound, a little at a time. His face is covered with a plastic cast-mask, and his hair hasn't grown back in. Ledgard brings him a bodystocking to protect his new skin and help his body fully adjust to its new feminine shape.

He finishes putting the bodystocking on, asking Ledgard to help zip up the back. But as he does so, Vicente viciously elbows him in the groin, knocks him down and takes his keys, trying to escape. But Ledgard quickly uses a wireless remote to activate the estate's master security switch, locking all the doors and windows.

Vicente finds a knife and threatens Ledgard with it, but Ledgard has recovered his pistol. As he advances, Vicente slits his own throat in a suicide attempt. However, Ledgard quickly patches him up and he survives.

Several more weeks pass. Ledgard removes the mask, revealing Gal/Vera's face underneath it. Ledgard finishes wiping the last traces of Vicente away from his prisoner, renaming him Vera. It's seen now that Vera was more than just a test subject for the synthetic skin compound Ledgard had developed-- and medical science and healing was never his intent as far as using it on Vicente, went. As punishment for the rape and eventual death of Norma, Vicente has now ceased to exist and is to be renamed Vera.

Ledgard has placed a number of dresses in Vicente room so he can clothe him, but Vicente rebels, angrily tearing them all to shreds and using the vacuum tube in his room to clean them all out. Ledgard sends some make-up kits and books on applying make-up to his room via the dumbwaiter. Vicente only takes a few mascara brushes and writing markers, sending the rest back up, saying through the intercom that he doesn't want them.

Ledgard provides Vicente with a large TV set, and while channel-surfing, he finds a program about yoga. Listening to the instructor's lecture on how practice of yoga can provide an inner place of refuge, peace, and freedom, Vicente requests some books on yoga and begins practicing it. Later, he watches a program on ceramics and gets started on that as well.

Ledgard has brought Marilia back to El Cigarral to help him look after the estate and Vera. Ledgard tells Marilia little about Vera, other than "she" has been a patient at the estate's clinic. From the small talk, we see that Marilia has been away from the estate for just over four years.

In his room, Vicente writes the dates 9/10/2006 and 9/11/2006 along the top of one wall, near the left corner.

Ledgard and Marilia observe Vicente writing feverishly on the wall. Marilia says that Vicente learned of Marilia's presence, contacted her through the intercom, and asked Marilia her name... and what the date was. When Marilia told him the date, Vicente started covering the walls of his room with writings. The top of one wall is a collection of consecutive calendar dates. At one point we see a span lasting from July 2008 to April of 2010.

Ledgard doesn't tell Marilia much about Vera, but Marilia is no fool. She recognizes Vera's face as Gal's.

The walls of Vicente/Vera's room become covered with various writings, like a diary or journal. He writes a number of yoga mantras over and over, along with more calendar dates, including a stretch from March to December of 2011. We also see the sentence, 'opium helps me forget.' When she's reached the bottom of one wall, we see her writing the date February 10, 2012.

We return to the present; the morning after Ledgard and Vera slept together. Vera has earned the privilege of coming downstairs to the kitchen to prepare breakfast for herself and Ledgard, although Marilia is wary of this, not trusting Vera. As Ledgard and Vera eat, they talk about a promise they made to each other the previous night. Vera was no longer a prisoner on the estate, but a tenant. In return for her freedom, she's promised never to leave Ledgard. He's started to win over her affections.

Ledgard has arranged for Marilia to take Vera shopping in town. Marilia doesn't like it, and packs her gun in her purse. Vera comes downstairs, nicely dressed, including black stockings and high heel shoes. Ledgard tells her she can buy whatever she likes; Marilia has his credit cards.

Ledgard's colleague and co-worker, Fulgencio (Eduard Fernández), comes by, wanting to talk about the clinic, even though, as Ledgard has said, he has stopped using El Cigarral as a clinic after the warning from the biotechnology institute's president. Fulgencio says his team is willing to rent some of the rooms, as patients love the isolated setting, but Ledgard refuses curtly, sending Fulgencio away.

But instead of leaving, Fulgencio follows Ledgard to his study. We see Ledgard's pistol in his desk drawer as he lights up a smoke, before Fulgencio walks in. Fulgencio says he wants to show Ledgard the day's newspaper. On the front page is an article about two hundred young men and women that have gone missing over the last ten years. One of the photos is of Vicente, who Fulgencio recognizes as the patient he helped perform the vaginoplasty on. The newspaper article shows that Vicente was last seen by his family on September 10, 2006... and that now, six years later, his mother is still desperately trying to find him.

Fulgencio and the rest of the medical team had always assumed that Vicente had chosen to undergo genital surgery, even though he was surprised that Vicente hadn't chosen to undergo hormone therapy. But now, in light of the newspaper article, and because he knows the documents supplied by Ledgard were false, Fulgencio has figured out that Ledgard kidnapped Vicente and used him as a test subject for Ledgard's synthetic skin compound... using trangenic techniques on a someone Ledgard had kidnapped. Transgenesis being strictly prohibited to begin with on ethical grounds, Fulgencio knows what kind of trouble Ledgard could be facing.

Ledgard knows that Fulgencio intends to blackmail him, for Fulgencio's personal gain and benefit. He pulls his gun and orders Fulgencio off the property, as a subtle warning to watch what he says to who.

As Fulgencio starts to back out, Vera comes into the study, having returned from her shopping trip. She's overheard part of the conversation, and tells Fulgencio that she has come to the clinic of her own free will, and that her name isn't Vicente, but Vera Cruz; she was always a woman. She sits casually on Ledgard's lap as Fulgencio leaves. Vera happens to glance down and sees the photo in the newspaper, and getting very nervous, she asks Ledgard for a cigarette.

That evening, Ledgard and Vera are making love in his room. But Vera finds her vaginal area is still a little sore after Zeca tried to rape her. She's picked up some lubricant cream, but she can't find it among her shopping bags. She realizes it's still in her purse, which she left in Ledgard's study. Ledgard tells her that she can go down to the study to retrieve it.

As Vera retrieves her purse, she takes Ledgard's gun out of his desk and puts it in the purse. She stares sadly at the photo of Vicente in the newspaper, and kisses it before hurrying back upstairs.

Upstairs, Vera first tosses the tube of cream to Ledgard, who begins opening it with anticipation; only to find Vera holding the gun on him, telling him she's going to kill him, and her promise to him was a lie. She fires once, hitting him in the left side of his chest.

Marilia is awakened by the sound of the shot. Knowing there's big trouble, she grabs her gun and hurries up to Ledgard's room, crying out in shock and dismay as she sees him-- her son-- lying dead on his bed. Spewing words of venom at Vera, Marilia sweeps the room with her gun. Of course, Vera's hiding place is the one place that Marilia doesn't look or anticipate: under the bed. Vera's hand and arm slide out from under the bed and she kills Marilia.

Finally free from captivity and the need to play along with Ledgard's twisted whims, Vicente walks out of El Cigarral. The next day, a taxicab drops him back off at his mother's dress shop. Mrs. Piñeiro sends Cristina out to tend to him.

Cristina is surprised when Vicente knows her name. Vicente lowers his voice to a whisper as he reveals that he is Vicente; he's been given a sex change, only escaped from his kidnappers after killing two people, and now he's come to Cristina for help. Cristina stares, not knowing what to make of the story, until Vera pulls off his jacket; he's wearing the dress he wanted to give Cristina on the day of Casilda's wedding; the one Cristina told Vicente that he should wear himself if he liked it so much.

This is something that only Vicente would know, and Cristina and Vicente both begin to cry. Mrs. Piñeiro comes out to see what's wrong, and the movie ends with Vicente softly telling his mother, "Soy Vicente" (I'm Vicente).

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